In addition to the bit of writing I worked my way through, I read Graham Pechey's "The Post-Apartheid Sublime: Rediscovering the Extraordinary," which deals with several texts other than The Master of Petersburg in addition to Coetzee's 1994 novel. As I am beginning to suspect is true of most of the articles dealing with the novel, Pechey's essay again seeks to identify issues relevant to South Africa in the novelist's fictional Russia. Elsewhere, however, the article provides an insightful consideration of the confessional mode of writing. Furthermore, Pechey's analysis moves fluidly from topic to topic in eminently readable prose, which was delightful.
For tomorrow: Try to read a bit more. Write if there's time.
Pechey, Graham. "The Post-Apartheid Sublime: Rediscovering the Extraordinary." Writing South Africa. Eds. Derek Attridge and Rosemary Jolly. Cambridge: Cambridge UP, 1998. 57-74.
Labels: Dissertation, Graham Pechey, literary criticism, The Master of Petersburg
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