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<entry>
    <title>Sobriquet 82.6: Playlist for &quot;The Cellar,&quot; 4/24/12 - Sobriquet Magazine</title>
    <link rel="alternate" type="text/html" href="http://www.sobriquetmagazine.com/sobriquet/2012/04/sobriquet-826-playlist-for-the-cellar-42412.html" />
    <id>tag:www.sobriquetmagazine.com,2012:/sobriquet//15.284</id>

    <published>2012-04-24T22:20:31Z</published>
    <updated>2012-04-24T22:28:00Z</updated>

    <summary><![CDATA[Playlist Theme: Early 1990s Chicago Punk (1990-1995)&nbsp;The Playlist:1. Not Rebecca, "Rosenwinkel" (2:45). Mark's a Dick and Gar's a Drunk: The Johann's Face Story&nbsp;2. Winepress, "Disappointed" (3:24). Worth a Thousand Words&nbsp;3. Tricky Dick, "When I Was Twelve" (2:56). Discography&nbsp;4. Naked Raygun,...]]></summary>
    <author>
        <name>Sobriquet Magazine</name>
        
    </author>
    
    <category term="radio" label="radio" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="thecellar" label="The Cellar" scheme="http://www.sixapart.com/ns/types#tag" />
    
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        <![CDATA[<b>Playlist Theme</b>: Early 1990s Chicago Punk (1990-1995)&nbsp;<div><br /></div><div>The Playlist:</div><div><br /></div><div>1. Not Rebecca, "Rosenwinkel" (2:45). <i>Mark's a Dick and Gar's a Drunk: The Johann's Face Story</i>&nbsp;</div><div>2. Winepress, "Disappointed" (3:24). <i>Worth a Thousand Words</i>&nbsp;</div><div>3. Tricky Dick, "When I Was Twelve" (2:56). <i>Discography</i>&nbsp;</div><div>4. Naked Raygun, "Home" (2:53). <i>Raygun...Naked Raygun</i>&nbsp;</div><div>5. The Bollweevils, "Bottomless Pit" (2:36). <i>Stick Your Neck Out!&nbsp;</i></div><div>6. The Vindictives, "Assembly Line" (3:20). <i>The Many Moods of the Vindictives</i>&nbsp;</div><div>7. Pegboy, "Through My Fingers (4:03). <i>Three Chord Monte</i> EP&nbsp;</div><div>8. <a href="http://www.sobriquetmagazine.com/cgi_bin/mt/mt-search.cgi?IncludeBlogs=9&amp;tag=Screeching%20Weasel&amp;limit=20">Screeching Weasel</a>, "Radio Blast" (3:59). <i>Kill the Musicians</i></div><div>9. <a href="http://www.sobriquetmagazine.com/music/2008/12/my-foolish-halo-piaphabakrist.html">My Foolish Halo</a>, "Coming Down" (2:02). <i><a href="http://www.sobriquetmagazine.com/music/2008/12/my-foolish-halo-piaphabakrist.html">Piaphrabakrist&nbsp;</a></i></div><div>10. <a href="http://www.sobriquetmagazine.com/music/2008/09/walker-if-youre-punk-rock-im-single-ep.html">Walker</a>, "Letter" (2:13). <i><a href="http://www.sobriquetmagazine.com/music/2008/09/walker-if-youre-punk-rock-im-single-ep.html">If You're Punk Rock, I'm Single&nbsp;</a></i></div><div>11. Lunkhead, "Nugget" (2:45). <i>Clever, But Not Funny&nbsp;</i></div><div>12. Riverdales, "Judy Go Home" (1:55). <i>Riverdales</i>&nbsp;</div><div>13. Didjits, "Killboy Powderhead" (2:01). <i>Hornet Pinata&nbsp;</i></div><div>14. 88 Fingers Louie, "Too Many" (3:02). <i>Punk Sucks&nbsp;</i></div><div>15. Smoking Popes, "Need You Around" (3:43). <i>Born to Quit&nbsp;</i></div><div>16. Tar, "Teetering" (3:34). <i>Clincher</i>&nbsp;</div><div>17. <a href="http://www.sobriquetmagazine.com/cgi_bin/mt/mt-search.cgi?blog_id=9&amp;tag=No%20Empathy&amp;limit=20">No Empathy</a>, "Maps" (2:36). <i><a href="http://www.sobriquetmagazine.com/music/2008/12/no-empathy-ben-weasel-dont-like-it-ep.html">Ben Weasel Don't Like It&nbsp;</a></i></div><div>18. Smoothies, "Dovey" (3:28). <i>Pickle</i>&nbsp;</div><div>19. Apocalypse Hoboken, "Quick Joey Small" (1:57). <i>Mark's a Dick and Gar's a Drunk: The Johann's Face Story </i><br /></div>]]>
        
    </content>
</entry>

<entry>
    <title>Sobriquet 82.5: Playlist for &quot;The Cellar,&quot; 4/17/12 - Sobriquet Magazine</title>
    <link rel="alternate" type="text/html" href="http://www.sobriquetmagazine.com/sobriquet/2012/04/sobriquet-825-playlist-for-the-cellar-41712.html" />
    <id>tag:www.sobriquetmagazine.com,2012:/sobriquet//15.283</id>

    <published>2012-04-17T20:11:52Z</published>
    <updated>2012-04-24T20:17:16Z</updated>

    <summary><![CDATA[Playlist Theme: The Ramones and Nothing But the RamonesThe Playlist: 1. "Listen to My Heart" (1:58). Ramones&nbsp;2. "I Remember You" (2:20). Leave Home&nbsp;3. "Sheena Is a Punk Rocker" (2:48). Rocket to Russia&nbsp;4. "Questioningly" (3:22). Road to Ruin&nbsp;5. "Danny Says" (3:06)....]]></summary>
    <author>
        <name>Sobriquet Magazine</name>
        
    </author>
    
    <category term="radio" label="radio" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="ramones" label="Ramones" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="thecellar" label="The Cellar" scheme="http://www.sixapart.com/ns/types#tag" />
    
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        <![CDATA[<b>Playlist Theme</b>: The Ramones and Nothing But the Ramones<div><br /></div><div>The Playlist:</div><div><br /></div> 1. "Listen to My Heart" (1:58). <i>Ramones</i>&nbsp;<div>2. "I Remember You" (2:20). <i>Leave Home&nbsp;</i></div><div>3. "Sheena Is a Punk Rocker" (2:48). <i>Rocket to Russia</i>&nbsp;</div><div>4. "Questioningly" (3:22). <i>Road to Ruin</i>&nbsp;</div><div>5. "Danny Says" (3:06). <i>End of the Century</i>&nbsp;</div><div>6. "We Want the Airwaves" (3:22). <i>Pleasant Dreams</i>&nbsp;</div><div>7. "7-11" (3:39). <i>Pleasant Dreams</i>&nbsp;</div><div>8. "Outsider" (2:11). <i>Subterranean Jungle&nbsp;</i></div><div>9. "Howling at the Moon (Sha-La-La)" (4:01). <i>Too Tough to Die&nbsp;</i></div><div>10. "Crummy Stuff" (2:06). <i>Animal Boy</i>&nbsp;</div><div>11. "Somebody Put Something in My Drink" (3:26). <i>Animal Boy</i>&nbsp;</div><div>12. "I Wanna Live" (2:37). <i>Halfway to Sanity</i>&nbsp;</div><div>13. "Pet Semetary" (3:30). <i>Brain Drain</i>&nbsp;</div><div>14. "Poison Heart" (4:04). <i>Mondo Bizarro</i>&nbsp;</div><div>15. "Surf City" (2:27). <i>Acid Eaters&nbsp;</i></div><div>16. "I Don't Want to Grow Up" (2:45). <i>¡Adios Amigos!&nbsp;</i></div><div>17. "Here Today, Gone Tomorrow" (2:55). <i>It's Alive&nbsp;</i></div><div>18. "R.A.M.O.N.E.S." (1:24). <i>Greatest Hits Live&nbsp;</i></div><div>19. "Carbona Not Glue" (1:54). <i>Leathers From New York</i> EP&nbsp;</div><div>20. "Do You Remember Rock 'n' Roll Radio? (2:59). <i>Loco Live</i></div>]]>
        
    </content>
</entry>

<entry>
    <title>Sobriquet 82.4: Playlist for &quot;The Cellar,&quot; 4/10/12 - Sobriquet Magazine</title>
    <link rel="alternate" type="text/html" href="http://www.sobriquetmagazine.com/sobriquet/2012/04/sobriquet-824-playlist-for-the-cellar-41012.html" />
    <id>tag:www.sobriquetmagazine.com,2012:/sobriquet//15.282</id>

    <published>2012-04-10T19:58:21Z</published>
    <updated>2012-04-24T20:11:10Z</updated>

    <summary>Playlist Theme: &quot;Defying the Stereotype: Long Punk Rock Songs&quot;The Playlist:1. The Exploited, &quot;Horror Epics&quot; (5:04). Horror Epics2. Screeching Weasel, &quot;The Edge of the World&quot; (5:07). Teen Punks in Heat3. The Damned, &quot;Plan 9 Channel 7&quot; (5:09). Machine Gun Etiquette4. Captain...</summary>
    <author>
        <name>Sobriquet Magazine</name>
        
    </author>
    
    <category term="radio" label="radio" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="thecellar" label="The Cellar" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-us" xml:base="http://www.sobriquetmagazine.com/sobriquet/">
        <![CDATA[<b>Playlist Theme</b>: "Defying the Stereotype: Long Punk Rock Songs"<div><br /></div><div>The Playlist:</div><div><br /></div><div>1. The Exploited, "Horror Epics" (5:04). <i>Horror Epics</i></div><div>2. <a href="http://www.sobriquetmagazine.com/cgi_bin/mt/mt-search.cgi?blog_id=9&amp;tag=Screeching%20Weasel&amp;limit=20">Screeching Weasel</a>, "The Edge of the World" (5:07). <i>Teen Punks in Heat</i></div><div>3. The Damned, "Plan 9 Channel 7" (5:09). <i>Machine Gun Etiquette</i></div><div>4. <a href="http://www.sobriquetmagazine.com/music/2009/01/captain-not-responsible-captain-not.html">Captain Not Responsible</a>, "Amnesia" (5:10). <i><a href="http://www.sobriquetmagazine.com/music/2009/01/captain-not-responsible-captain-not.html">Captain Not Responsible</a></i></div><div>5. The Blood, "Gestapo Khazi" (5:11). <i>False Gestures For a Devious Public</i></div><div>6. <a href="http://www.sobriquetmagazine.com/cgi_bin/mt/mt-search.cgi?blog_id=9&amp;tag=Clash&amp;limit=20">The Clash</a>, "Last Gang in Town" (5:14). <i>Give 'Em Enough Rope</i></div><div>7. Ebba Grön, "Staten &amp; Kapitalet" (5:17). <i>Kärlek Och Uppror</i></div><div>8. Dead Kennedys, "This Could Be Anywhere (This Could Be Everywhere)" (5:23). <i>Frankenchrist</i></div><div>9. <a href="http://www.sobriquetmagazine.com/cgi_bin/mt/mt-search.cgi?blog_id=9&amp;tag=Social%20Distortion&amp;limit=20">Social Distortion</a>, "Prison Bound" (5:23). <i>Prison Bound</i></div><div>10. Adolescents, "Kids of the Black Hole" (5:27). <i>The Adolescents</i></div><div>11. The Misfits, "Come Back" (5:00). <i>Static Age</i></div>]]>
        
    </content>
</entry>

<entry>
    <title>Sobriquet 82.3: The Moby-Dick Marathon; Or, A Whale of a Project  - Sobriquet Magazine</title>
    <link rel="alternate" type="text/html" href="http://www.sobriquetmagazine.com/sobriquet/2012/04/sobriquet-823-the-moby-dick-marathon-or-a-whale-of-a-project.html" />
    <id>tag:www.sobriquetmagazine.com,2012:/sobriquet//15.281</id>

    <published>2012-04-09T19:54:50Z</published>
    <updated>2012-04-24T19:57:53Z</updated>

    <summary>As the airplane I&apos;m taking from Amsterdam to Minnesota clips the southernmost tip of Greenland, I can think of no better place to begin writing about the Moby-Dick marathon reading I organized at Luther College last month. I&apos;ve long intended...</summary>
    <author>
        <name>Sobriquet Magazine</name>
        
    </author>
    
    <category term="hermanmelville" label="Herman Melville" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="marathonreading" label="Marathon Reading" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="mobydick" label="Moby-Dick" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-us" xml:base="http://www.sobriquetmagazine.com/sobriquet/">
        <![CDATA[<div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><span class="Apple-style-span" style="font-style: normal; ">As the airplane I'm taking from Amsterdam to Minnesota clips the southernmost tip of Greenland, I can think of no better place to begin writing about the </span><i>Moby-Dick</i> marathon reading I organized at Luther College last month. I've long intended to write something about the event, but have been sidetracked by work obligations and a trip to the United Kingdom. The lack of interesting in-flight entertainment this afternoon combined with word processing technology one can carry on board an aircraft, though, makes this the perfect time to stop putting it off.</div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><br /></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); ">Before I begin, I want to emphasize that, while the marathon was my idea, the idea of literary marathons or even marathon readings of Melville's novel hardly originate with me. In fact, one of my colleagues at Luther organized a reading of the book twenty years before I even set foot on campus. I emphasize this because some of the media accounts of the event have undeservedly, though well-meaningly, given me a bit too much credit for trailblazing new literary territory.</div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><br /></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); ">So, here's the story. I imagine it might be of interest to a few casual readers, many of the participants of the event, and perhaps a few people considering arranging literary marathons of their own.</div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><br /></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><span class="Apple-style-span" style="font-style: normal; ">I can recall encountering the idea of literary marathons while still an undergraduate in the late 1990s. One of my professors had organized a non-stop reading of Milton's </span><i>Paradise Lost</i>, which, at the time, did not interest me at all. Still, the notion that a group of dedicated, if slightly eccentric, bibliophiles could read an entire work of epic literature in one session stuck with me. Years later, after I had rediscovered <i>Moby-Dick</i> (I'd read it in high school, but remembered relatively little) and fell headlong in love with the book I still consider to be the greatest novel in American literature, I encountered a brief anecdote about the annual <i>Moby-Dick</i> marathon readings held every January at the New Haven Whaling Museum in Connecticut. I decided I wanted to go, but, for various reasons, could never make the event.</div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><br /></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); ">Thus, when I relocated to Iowa, having effectively moved out of driving distance of the museum, I realized that it would be unlikely that I could justify skipping classes to attend the reading. The only way I could attend a reading, then, would be to find one closer to home, which, in rural Middle America is not that easy.</div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><br /></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><span class="Apple-style-span" style="font-style: normal; ">I can't pinpoint the precise moment the idea came to me, but it was sometime during my first semester at Luther College, as I was beginning to think about the books I would be putting on my American Novel syllabus for the Spring semester. I knew, both from personal experience, as well as from overhearing discussions among my students that </span><i>Moby-Dick</i> is an intimidating book and one that is often loathed in the high school classrooms in which it is often assigned more out of a sense of duty than out of an enthusiastic desire to share a uniquely beautiful work of transcendent American art. For these reasons, I could not imagine leaving the book off my syllabus, even though the novel would take a full month of class time to work through. Once I found myself resolved to teach the book, I found myself becoming increasingly excited about it. Loving the novel as much as I do, though, also brought a sense of anxiety to the situation. I really wanted to make the class enjoyable and I certainly did not want students to view the month of Melville as a lull in their semester, so I began thinking of ways to bring my enthusiasm for the novel to my students and nothing seemed as perfect as a marathon reading.</div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><br /></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); ">When I mentioned my then-inchoate idea to a colleague of mine, he told me that he had once arranged a marathon reading of the novel at Luther himself. With his marathon as proof that such an event could be successful at the college and his invaluable insight into the behind-the-scenes work as a starting point, I set about arranging the marathon.</div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><br /></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); ">I am positively blessed with enthusiastic, community-oriented students in my class at Luther, so when I brought up my plan for a marathon reading on the first day of class, quite a few of my students responded with interest. Without them, the reading would not have been possible. With them, it was one of the greatest experiences in my academic career. Here's what we did:</div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><br /></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><b>The Idea</b><span class="Apple-style-span" style="font-weight: normal; ">:</span></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><span class="Apple-style-span" style="font-style: normal; ">In order for the marathon to work, you need participants. This is the most difficult part because, depending on reading speeds (more on this in a little bit), a marathon reading of Melville's novel can take anywhere from twenty to twenty-five hours. Reasoning that one person can comfortably read for ten or fifteen minutes at a stretch, I decided to follow my colleague's model and divide the event into time slots rather than ask readers to sign up for a given chapter. Thus, I created one hundred fifteen-minute reading slots. Beginning at four on a Friday afternoon, I intended the event to continue through the night and end at five the following afternoon. In other words, I'd be asking people to read </span><i>Moby-Dick</i> at two, three, four, and five in the morning. On a weekend.</div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><br /></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><b>The Preparation</b><span class="Apple-style-span" style="font-weight: normal; ">:</span></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); ">I wanted to make the event fun, but before I could even reach that stage, we needed to find a venue. After some deliberation and a good deal of consultation, I settled on the Science building concourse, which was spacious, centrally-located, and full of comfortable chairs.</div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><br /></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); ">The next order of business, of course, was to settle on a time and find volunteers to read. Colleges frequently have several events occurring at the same time and Luther is no exception. I wanted to be sensitive to the needs of the campus community and tried to find a relatively calm weekend. Once I did, I made the list of time slots and passed the time sheet around my class, encouraging my students to sign up for one or more slots. Nearly every student volunteered for at least one and several signed up for an hour or more of reading time. Once I had set the ball in motion with my class, I sent campus emails to English faculty and majors. Combined with word-of-mouth publicity, this approach brought several additional volunteers.&nbsp;</div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><br /></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); ">I also contacted the local newspaper and the public relations office. Once a story appeared in the paper and a news release circulated, I began receiving emails from community members interested in participating.</div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><br /></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><span class="Apple-style-span" style="font-style: normal; ">Then things took off. I was interviewed for several newspaper stories, featured on an hour-long community radio program, and the event was mentioned in newspapers around Iowa (including the </span><i>Des Moines Register</i>) and in a few surrounding states.</div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><br /></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><b>The Problem With The Night Watch</b><span class="Apple-style-span" style="font-weight: normal; ">:</span></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); ">As word spread, I grew anxious because, not surprisingly, most of the early morning reading slots remained unclaimed. When I mentioned this problem to my class, a few students decided to step up and sign up for those least alluring of slots, between two and ten on Saturday morning. We were getting there, but the schedule remained incomplete.</div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><br /></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); ">I responded by gently, if persistently, mentioning the marathon to colleagues and inviting them to participate. Quite a few agreed to participate.</div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><br /></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); ">Still, open slots remained and I vowed to fill them myself, if need be.</div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><br /></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); ">Then I made posters and hung them around campus and sent out a few more emails, and a few more interested students trickled in.</div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><br /></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); ">Eventually, the roster filled, but it took until the day before the reading.</div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><br /></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><b>Making the Event an Event</b></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><span class="Apple-style-span" style="font-style: normal; ">So, we had the time and place set up and we had a few heroic volunteers prepared to forego sleep for the success of the reading, but that was it. Now, the idea of reading </span><i>Moby-Dick</i> is enough of a draw for some people like myself and the novelty of a marathon might attract another group of people, but I wanted to interest as broad a range of people as possible.</div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><br /></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); ">Together with my class, we decided to encourage the wearing of costumes and the incorporation of props. The theater and art majors in my class volunteered to find and create nautically-themed items and costumes. One the day of the reading, we had a chest, rope, a ship's wheel, a harpoon, a pasteboard mask (in honor of my favorite passage in the book), and several students dressed as seafarers.</div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><br /></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); ">I also provided coffee for the overnighters and asked the English Department for funds for food, which turned out to be fish chowder, oyster crackers, and cheddar Goldfish crackers.</div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><br /></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); ">Between the food and costumes, I reasoned, we'd be a draw.</div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><br /></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><b>The Event, In Bullet Points</b><span class="Apple-style-span" style="font-weight: normal; ">:</span></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); ">*The reading turned out to be a wonderful time. It wound up being 22 hours and 28 minutes long, so we ended at 2:28 on Saturday afternoon. I was amazed by the turnout, which peaked at more than thirty audience members at 2:30 Saturday morning.</div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><br /></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); ">*In addition to several newspaper reporters, the marathon was filmed for the NBC affiliate covering eastern Iowa. I live-tweeted the reading, which several students followed and even shared with their parents.</div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><br /></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); ">*The fish chowder arrived at the exact moment the reader began Melville's "Chowder" chapter. People cheered.</div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><br /></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); ">*Several readers did not show up. Various members of the audience, including myself, filled in. We never missed a beat.</div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><br /></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); ">*Some students brought sleeping bags and pillows and made the reading a camp-out.</div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><br /></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); ">*It was wonderful seeing community members come to the campus to listen to the novel.</div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><br /></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><b>Why I'd Do It Again</b><span class="Apple-style-span" style="font-weight: normal; ">:</span></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-variant: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><span class="Apple-style-span" style="font-style: normal; font-weight: normal; ">One of the nicest things about a marathon reading of a book like </span><i>Moby-Dick</i> is that you can experience the full-course of an epic, with its lulls and crescendos, communally. Indeed, several students mentioned that they enjoyed the book more by sharing it with others than they had when they read it alone. Humor that might escape one reader draws laughs from others, for instance, and the reader may see the text in a new light.</div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><br /></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); ">I was touched by the concern several of my students showed me over the course of the reading. They often asked if I felt too tired and offered to bring me food. One student brought me a full breakfast of pastries and fruit and others volunteered to help clean up the programs I'd made for the event and clear the props from the room so that only the P.A. system (which wasn't our responsibility) remained and I could get home and to bed sooner.</div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><br /></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); ">I have always wanted to be the sort of professor willing to spend time outside of class celebrating the literature I love with my students. This experience only makes that desire stronger. My students responded to my quirky idea with enthusiasm, creativity, and generosity and we all had fun with a book so many people often dismiss as being anything but fun. What better reason to do another marathon than that?</div>]]>
        
    </content>
</entry>

<entry>
    <title>Sobriquet 82.2 - Sobriquet Magazine</title>
    <link rel="alternate" type="text/html" href="http://www.sobriquetmagazine.com/sobriquet/2012/04/sobriquet-822.html" />
    <id>tag:www.sobriquetmagazine.com,2012:/sobriquet//15.280</id>

    <published>2012-04-09T19:49:40Z</published>
    <updated>2012-04-24T19:53:38Z</updated>

    <summary>Given that A) I am sitting on an airplane heading from the Netherlands to the Minneapolis-St. Paul International Airport, B) the in-flight movie does not interest me, C) I have pretty much read all the interesting bits in the magazine...</summary>
    <author>
        <name>Sobriquet Magazine</name>
        
    </author>
    
    <category term="academia" label="academia" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="england" label="england" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="scotland" label="scotland" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="travel" label="travel" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-us" xml:base="http://www.sobriquetmagazine.com/sobriquet/">
        <![CDATA[<div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); ">Given that A) I am sitting on an airplane heading from the Netherlands to the Minneapolis-St. Paul International Airport, B) the in-flight movie does not interest me, C) I have pretty much read all the interesting bits in the magazine I bought in Manchester, D) I am not sleepy enough to doze, and E) I have an electronic device that is approved for use at this particular stage of what will be a nearly nine-hour flight, I have decided to write a blog post to eat up some time and give me the opportunity to get some non-academic writing done.</div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><br /></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); ">As I write this, I am returning to the U.S. after a nine day trip to the United Kingdom, where I attended the Paranoia and Pain: Embodied in Psychology, Literature, and Bioscience conference at the University of Liverpool. Paranoia and Pain is the second conference at which I have presented a paper this year and is, in my estimation, the best conference I have attended. Ever.</div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><br /></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); ">This is not to say that I have never enjoyed a conference before, but there was something special about this one. Given the conference's focus on topics as generally off-putting and depressing as pain and paranoia, one might be surprised to learn how cheerful an event the gathering actually was, but it was wonderful. My suspicion is that the type of person--if there is, in fact, a "type"--drawn to such themes is often more sensitive and kind than the average person. I have no empirical evidence to support this surmise, of course, but it certainly felt that way.</div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><br /></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); ">I arrived in Liverpool by way of Amsterdam and Manchester on Sunday, April 1 to uncharacteristically clear skies over England. The short train ride I took from the Manchester airport to Liverpool's Lime Street Station provided me with a wonderful opportunity to observe some of the English countryside. Upon arrival at the University of Liverpool's satellite campus and conference center, I met another international delegate with whom I quickly decided to explore the city center. Being foreigners, the appeal of sitting in the top deck of a double-decker bus was just too appealing to pass up, so we boarded a bus and headed down to the docks, passing Beatles-related tourist traps and fish-and-chips joints as we took in the sights and sounds of a Liverpudlian Sunday afternoon. It was fun and, after a nice dinner at a place called The Hub, we returned to the dormitory for bed. Since I'd had little more than twenty minutes of sleep in the previous thirty, I conked out pretty quickly, slept all night, and awoke on Monday morning fresh and ready for the conference.</div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><br /></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); ">Many of the conferences I have attended in the past have been large, sprawling affairs in which one quickly becomes lost among the throngs of academics milling around, rushing from session to session. The Paranoia and Pain conference, while not tiny, managed to cultivate a distinctly communal atmosphere by scheduling group meals, social events, common lectures, and through a minimal overlap of panels. The result was a warm, inviting milieu in which many participants spent time getting to know one another rather than simply focusing on presenting their own respective papers and existing in the sort of self-imposed solipsism one occasionally encounters at larger, less intimate conferences.</div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><br /></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); ">For me, though, the highlight was spending time with a group of like-minded scholars, discussing the things that engage our hearts and minds, at conference panels as well as in pubs and coffee shops.</div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><br /></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); ">Initially, I intended to fly home in time for my Friday classes, since I did not want to miss a full week of classes right in the middle of the semester, but when I looked at the calendar, I was delighted to learn that my college would not be holding classes on either Good Friday or Easter Monday, essentially giving me an additional four days to spend in the U.K. before heading home. As a result of this fortuitous timing, I got to stay for the last day of the conference and spend a few days with an old friend living in the Scottish borderlands. Although I hadn't seen her in more than twelve years, we had little difficulty picking up where we left off and I had the pleasure of exploring the southeastern part of Scotland (including Edinburgh) with a local. It was wonderful.</div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><br /></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); ">One thing of which I became increasingly conscious of during the week I spent in the U.K. is how liberating it has been, socially and philosophically, for me to be in England. I realize, naturally, that I am enjoying the novelty of things, that a longer period of time would likely bring me to a less starry-eyed optimism and rose-tinged worldview, but some long dormant parts of my personality have reemerged. Now, of course, I must be careful to remember that certain things are almost certainly the result of my being in a particularly unique situation. It is not lost on me, for example, that a good deal of the friendliness I perceive among the English has been the result of my novelty. They hear an American accent and respond with the same curiosity as an American might to a British accent in Cleveland. Such special treatment may well mask realities that I could find less pleasant over a longer period of time. Likewise, I realize that a conference of the sort I outlined earlier is unique and not necessarily representative of England, Europe, or Academia and that, in other situations, the people in whose company I have enjoyed so much time might not have even spoken with me in the first place. Not out of malice, of course, but circumstances often determine social interaction and, realistically, people in their own element, who know a newcomer will not be around for long might not go out of their way to meet someone new.</div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><br /></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); ">Still, be this as it may, I do feel there are certain things that this brief trip has brought to the forefront of my consciousness. Many of my values, for instance, are at odds with those espoused by a fairly large number of other Americans, particularly in the political and religious realms. Attitudes that have been met with consternation and, in some cases, outright hostility (I'm thinking specifically of the nasty response my refusal to vote for Barack Obama in the last election drew from some self-described liberal friends who could not respect my distaste for a hopelessly broken two-party system) in New York or Iowa appear to be far more common in England. I'm not claiming people here are somehow more enlightened, but rather, that in some ways I remain more in sync with European value systems that those most prominent in my native country. I'm sure I sound like a hipster in saying so, but it's true. I just feel "better" in some very key, even ineffable ways when in Northern Europe (I restrict myself to this region only because i have limited experience in Eastern Europe and have never visited the southernmost parts of the continent). Having twice lived in Norway, though, I can't say I am especially surprised to find myself feeling this way. It is not lost on me, either, that, with time, I would likely find myself missing the United States or being tired of always being a foreigner or token American, that I would find some cultural trends stifling and prefer those left behind, that the cloudy skies of the U.K. or my beloved Western Norway might very well have much the same emotional impact as those I disparage in upstate New York. All the same, having once lived in Europe and having imbibed certain cultural qualities at a relatively young age, I cannot help but feel a certain refreshment at re-encountering them and an accompanying dread of returning to the States today.</div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><br /></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); ">It will be interesting to see how things develop for me as I move forward.</div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><br /></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); ">There is still a pretty large part of me that would like to live abroad again, though it is mitigated both by a concern for finding a permanent place to settle and call "home" as well as a very strong desire to remain close to my family and friends. I suppose this is one of the downsides to having had the blessings I have had in life, having both travelled extensively and having a number of cherished relationships with loved ones.</div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); "><br /></div><div style="color: rgb(34, 34, 34); font-family: arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: rgba(255, 255, 255, 0.917969); ">At any rate, I've nearly exhausted whatever lode of material I've been tapping into for this post and will sign off now, before I end up rambling unnecessarily.</div>]]>
        
    </content>
</entry>

<entry>
    <title>Sobriquet 82.1: Playlist for &quot;The Cellar,&quot; 4/3/12 - Sobriquet Magazine</title>
    <link rel="alternate" type="text/html" href="http://www.sobriquetmagazine.com/sobriquet/2012/04/sobriquet-821-playlist-for-the-cellar-4312.html" />
    <id>tag:www.sobriquetmagazine.com,2012:/sobriquet//15.279</id>

    <published>2012-04-03T19:07:48Z</published>
    <updated>2012-04-24T19:49:14Z</updated>

    <summary><![CDATA[Playlist Theme: Oi!The Playlist:1. The Business, "Suburban Rebels" (Live) (3:04). Lords of Oi!2. The Blood, "Calling the Shots (2:26).&nbsp;False Gestures of a Devious Public3. The 4-Skins, "Plastic Gangster" (3:24). Singles &amp; Rarities4. Angelic Upstarts, "Last Night Another Soldier" (2:48). Last...]]></summary>
    <author>
        <name>Sobriquet Magazine</name>
        
    </author>
    
    <category term="radio" label="radio" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="thecellar" label="The Cellar" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-us" xml:base="http://www.sobriquetmagazine.com/sobriquet/">
        <![CDATA[<b>Playlist Theme</b>: Oi!<div><br /></div><div>The Playlist:</div><div><br /></div><div>1. The Business, "Suburban Rebels" (Live) (3:04). <i>Lords of Oi!</i></div><div>2. The Blood, "Calling the Shots (2:26).<i>&nbsp;False Gestures of a Devious Public</i></div><div>3. The 4-Skins, "Plastic Gangster" (3:24). <i>Singles &amp; Rarities</i></div><div>4. <a href="http://www.sobriquetmagazine.com/cgi_bin/mt/mt-search.cgi?blog_id=9&amp;tag=Angelic%20Upstarts&amp;limit=20">Angelic Upstarts</a>, "Last Night Another Soldier" (2:48). <i><a href="http://www.sobriquetmagazine.com/music/2009/06/angelic-upstarts-last-night-another.html">Last Night Another Soldier</a></i></div><div>5. <a href="http://www.sobriquetmagazine.com/cgi_bin/mt/mt-search.cgi?blog_id=9&amp;tag=Blitz&amp;limit=20">Blitz</a>, "Someone's Gonna Die Tonight" (2:29). <a href="http://www.sobriquetmagazine.com/music/2008/12/blitz-all-out-attack.html"><i>All Out</i>&nbsp;<i>Attack</i></a></div><div>6. Cock Sparrer, "Take 'Em All" (2:33). <i>Shock Troops</i></div><div>7. Cockney Rejects, "The Greatest Cockney Rip Off" (1:55). <i>Greatest Hits Vol. 2</i></div><div>8. Combat 84, "Rapist" (2:50). <i>Rapist</i></div><div>9. Sham 69, "Borstal Breakout" (2:09). <i>Tell Us The Truth</i></div><div>10. The Strike, "Mania" (2:23). <i>Skins 'N' Punks - Volume Two</i></div><div>11. The Partisans, "Blind Ambition" (3:47). <i>The Time Was Right</i></div><div>12. Infa Riot, "Emergency" (2:19). <i>Still Out of Order</i></div><div>13. Slaughter &amp; The Dogs, "White Light White Heat" (3:01). <i>The Slaughterhouse Tapes</i></div><div>14. The Gondas, "I Lost My Love to a UK Sub" (3:21). <i>Punk Rock Will Never Die - The Best of the Gonads</i></div><div>15. Criminal Class, "Soldier" (2:23). <i>25 to Life</i></div><div>16. One Way System, "Stab the Judge" (1:55). <i>All Systems Go</i></div><div>17. Section 5, "Every Saturday" (3:14). <i>Street Rock N Roll</i></div><div>18. Menace, "GLC" (2:24). <i>The Menace Final Vinyl</i></div><div>19. The Lurkers, "Lucky John" (2:02). <i>Go Ahead Punk</i></div><div>20. The Last Resort, "Held Hostage" (3:02). <i>Resurrection</i></div><div>21. Splodgenessabounds, "Delirious" (2:31). <i>Lords of Oi!</i></div>]]>
        
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</entry>

<entry>
    <title>Sobriquet 81.4: Playlist for &quot;The Cellar,&quot; 3/27/12 - Sobriquet Magazine</title>
    <link rel="alternate" type="text/html" href="http://www.sobriquetmagazine.com/sobriquet/2012/03/sobriquet-814-playlist-for-the-cellar-32712.html" />
    <id>tag:www.sobriquetmagazine.com,2012:/sobriquet//15.278</id>

    <published>2012-03-28T02:25:23Z</published>
    <updated>2012-03-28T02:44:46Z</updated>

    <summary><![CDATA[Theme: Swedish Punk of the 1990s&nbsp;1. Strebers, "39 Steg" (3:33). ...&amp; Kråkan (1990)&nbsp;2. De Lyckliga Kompisarna, "Egon" (4:08). Le Som En Fotomodell (1991)&nbsp;3. Dia Psalma, "Emelie" (3:44). Gryningstid (1994)&nbsp;4. Krymplings, "Burkluft" (1:35). Krymplings (1994)5. Loosegoats, "Molly Cuddle" (2:46). Small Lesbian...]]></summary>
    <author>
        <name>Sobriquet Magazine</name>
        
    </author>
    
    <category term="radio" label="radio" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="thecellar" label="The Cellar" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-us" xml:base="http://www.sobriquetmagazine.com/sobriquet/">
        <![CDATA[<b>Theme</b>: Swedish Punk of the 1990s&nbsp;<div><br /></div><div>1. Strebers, "39 Steg" (3:33). <i>...&amp; Kråkan</i> (1990)&nbsp;</div><div>2. De Lyckliga Kompisarna, "Egon" (4:08). <i>Le Som En Fotomodell</i> (1991)&nbsp;</div><div>3. Dia Psalma, "Emelie" (3:44). <i>Gryningstid</i> (1994)&nbsp;</div><div>4. Krymplings, "Burkluft" (1:35). <i>Krymplings</i> (1994)</div><div>5. Loosegoats, "Molly Cuddle" (2:46). <i>Small Lesbian Baseball Players</i> (1995)&nbsp;</div><div>6. Charta 77, "Herrarna i Sandlåden" (4:10). <i>Tecken I Tiden </i>(1995)&nbsp;</div><div>7. Pridebowl, "Mind Over Matter" (3:03). <i>Long-Distance</i> (1995)&nbsp;</div><div>8. Millencolin, "Olympic" (2:56). <i>Life on a Plate</i> (1996)&nbsp;</div><div>9. <a href="http://www.sobriquetmagazine.com/cgi_bin/mt/mt-search.cgi?blog_id=9&amp;tag=Adhesive&amp;limit=20">Adhesive</a>, "Bubble Burst" (2:36). <i><a href="http://www.sobriquetmagazine.com/music/2008/04/adhesive-sideburner.html">Sideburner</a></i> (1996)&nbsp;</div><div>10. Randy, "Kiss Me Deadly" (3:18). <i>The Rest is Silence</i> (1996)&nbsp;</div><div>11. No Fun At All, "Master Celebrator" (2:53). <i>In-Flight Program</i> (1996)&nbsp;</div><div>12. Astream, "Alone" (3:08). <i>Woodfish</i> (1996)&nbsp;</div><div>13. Slobax, "Days Like This" (4:02). <i><a href="http://www.sobriquetmagazine.com/music/2008/04/various-artists-quality-punk-rock-bad.html">Quality Punk Rock</a></i> (1996)&nbsp;</div><div>14. Coca Carola, "Dansa Med Mej" (1:50). <i>Fem År Till Moped</i> (1996)&nbsp;</div><div>15. Stukas, "Little Miss Green Eyes" (1:40). <a href="http://www.sobriquetmagazine.com/music/2009/01/various-artists-definitivt-femtio-spnn.html"><i>Definitivt Femtio Spänn 6</i> </a>(1997)&nbsp;</div><div>16. Candysuck, "Gouge Away" (2:15). <i>Score</i> (1997)&nbsp;</div><div>17. Skumdum, "Vem Vegar Tro" (3:02). <i><a href="http://www.sobriquetmagazine.com/music/2009/01/various-artists-definitivt-femtio-spnn.html">Definitivt Femtio Spänn 6</a></i> (1997)&nbsp;</div><div>18. Bombshell Rocks, "180 Down" (3:27). <i>Street Art Gallery</i> (1999)&nbsp;</div><div>19. Satanic Surfers, "What Ever" (2:17). <i>Going Nowhere Fast</i> (1999)</div>]]>
        
    </content>
</entry>

<entry>
    <title>&quot;Hunting for the Eve&apos;s Last Cry&quot;: Sandy Florian&apos;s On Wonderland &amp; Waste - The Literary Life</title>
    <link rel="alternate" type="text/html" href="http://www.sobriquetmagazine.com/books/2012/03/hunting-for-the-eves-last-cry-sandy-florians-on-wonderland-waste.html" />
    <id>tag:www.sobriquetmagazine.com,2012:/books//14.276</id>

    <published>2012-03-20T23:35:38Z</published>
    <updated>2012-03-26T00:13:18Z</updated>

    <summary><![CDATA[The modernist impulse toward innovation and experiment alive in James Joyce's Ulysses and Gertrude Stein's Tender Buttons lives on in Sandy Florian's On Wonderland &amp; Waste&nbsp;(purchase). Florian writes at the leading edge of the contemporary. Whenever I teach a work...]]></summary>
    <author>
        <name>Sobriquet Magazine</name>
        
    </author>
    
    <category term="robertsavinooventile" label="Robert Savino Oventile" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="sandyflorian" label="Sandy Florian" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-us" xml:base="http://www.sobriquetmagazine.com/books/">
        <![CDATA[<a href="http://www.sobriquetmagazine.com/books/WONDERLAND300.jpg"><img alt="WONDERLAND300.jpg" src="http://www.sobriquetmagazine.com/books/assets_c/2012/03/WONDERLAND300-thumb-300x400-21.jpg" width="150" height="200" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /></a>The modernist impulse toward innovation and experiment alive in James Joyce's <i>Ulysses</i> and Gertrude Stein's <i>Tender Buttons</i> lives on in Sandy Florian's <i><a href="http://sidebrow.com/books/wonderland-amp-waste">On Wonderland &amp; Waste</a>&nbsp;</i>(<a href="http://www.amazon.com/gp/product/0981497519/ref=as_li_ss_tl?ie=UTF8&amp;tag=theessentia03-20&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=0981497519">purchase</a><img src="http://www.assoc-amazon.com/e/ir?t=theessentia03-20&amp;l=as2&amp;o=1&amp;a=0981497519" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" />). Florian writes at the leading edge of the contemporary. Whenever I teach a work of hers, my students comment to the effect that they have never before read such sentences. To praise a work of writing, the ancient rabbis would say it "defiles the hands." Imagine that a work "defiles the hands" if reading the work changes the reader irreversibly. As with <i>On Wonderland &amp; Waste</i>, <a href="http://www.spdbooks.org/Search/Default.aspx?AuthorName=Sandy+Florian">Florian's</a> <i>Telescope, The Tree of No</i>, and <i>Prelude to Air from Water</i> are books for readers who want to get their hands dirty. Each exhibits a distinct idiom in which Florian recovers English as a fertile medium through which she engages topics literary traditions bequeath. Florian turns (tropes) those topics or commonplaces toward her singular meditations. In those turnings, Florian achieves her fictions.<div><div><br /></div><div><i>On Wonderland &amp; Waste</i> collects short works encompassing a variety of Florian's modes of writing. If pressed, I might call these works prose poems, with several displaying traits of the dramatic monologue. But, in truth, the works in <i>On Wonderland &amp; Waste</i> defy simple generic classification. Some of the pieces seem readable as straightforward narratives. For example, "Mornings" follows the routines of a charmingly laconic urban couple groggily entering their days. Yet "Mornings" invites the reader to become delightfully lost in a labyrinth where motifs echo, awareness shifts into and out from dreams, and time goes relative. Chapters such as "And Your Messages" and "Franchise" collage sentences together into brief first-person narratives of lyric intensity. The reader will encounter reworkings of Genesis, <i>Hamlet</i>, and other precursor texts. Florian's response to Hamlet, titled "Dumbshow &amp; Noise," particularly astonishes by consisting almost entirely of words and phrases from the play recast by Florian into an anonymous drowner's haunting soliloquy.&nbsp;</div><div><br /></div><div>Though already going under, this drowner communicates words, which seems impossible, barring telepathy, unless telepathy itself is impossible. Wouldn't a drowner be capable of only a thrashing dumb show and water-garbled noise? Many ways to become a drowner exist, with or without water. An early attunement to finality may suffice. Several of Florian's chapters stage the narrator or a character, even the bluebird of "Evenings," as producing words without sequel in a moment without future. The reader overhears these words, these thoughts, as if in witness to the moment in which they take place. In the places where the thoughts or words occur, time slows to a standstill, random details take on an incredible fascination, past and future mix, and death as a meaningful act of the "I" becomes unknown, though dying becomes actual. These places harbor as much dread as desire, as much terror as beauty. The literary explorer Maurice Blanchot describes such places as defining the space of literature. There, words drift from semantic fixtures, paratactic interstices spark, and the literary artist works without a net. <i>On Wonderland &amp; Waste</i> excels at transporting the reader to the space of literature.&nbsp;</div><div><br /></div><div>In this space, borders erode and boundaries blur, however much distinctions remain. The shellac wears off surface colors and they become achingly saturate. Tactile sensations give meaning the slip. Desires flare. Plato, or at least the Plato of Platonism, approached such literary space with trepidation. In the <i>Republic</i>, Socrates claims the soul has two aspects. One trusts numbers. The other images seduce. The number-trusting aspect listens attentively to voices arguing toward orderly oneness. A shoemaker is a shoemaker and nothing else, just as a circle is a circle and nothing else, for instance a triangle. Coursing with desires, the other aspect feels drawn to images mixing kinds or showing in the very same place and at the very same time a whale and a butterfly, a circle and a triangle. Socrates presses his interlocutors to agree the number-trusting aspect must control the desiring aspect. Perhaps, as desirous, the soul never can leave the Platonic cave's shadows and step into the sun's light. In stepping toward the light, the desirous aspect of the soul would lose distinction, reluctantly becoming orderly and numerable. If there is any shadow, there must be some light. What if light were to relax and let be?</div><div><br /></div><div>If the commonplace that "writing takes courage" has settled into a cliché, Florian undoes that cliché altogether. In her book, desireful beings speak, despite the pressures toward their silencing yet in open awareness of silence. Their ways with words Socrates would have deep and wonderful trouble countenancing. Florian freely mixes genres and invites readers toward imaginal spaces where want calls with fine urgency. Images improbable in nature find welcome. <i>On Wonderland &amp; Waste</i> includes image collages by Alexis Anne Mackenzie. In response to each of Florian's texts, Mackenzie created a collage. A given text's collage appears as a color reproduction on the page across from the text's title page. Students of mine have made a point of mentioning that all the collages (except bluebird's) feature the image of a woman.&nbsp;</div><div><br /></div><div>If tragedy in the Aristotelian sense involves the expiation of an excess, say of passion, then the term "tragic" would not quite describe <i>On Wonderland &amp; Waste</i>. Rather, the book crosses the elegiac with the ecstatic. The ampersand in the book's title gets the reading eye quickly from Wonderland to Waste while adroitly insisting on the one as much as on the other: a wonderland thoroughly a waste, a wasteland thoroughly a wonder.</div><div><br /></div><div><i>Review by Robert Savino Oventile</i></div></div><div><br /></div>]]>
        
    </content>
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<entry>
    <title>Sobriquet 81.3: Playlist for &quot;The Cellar,&quot; 3/20/12 - Sobriquet Magazine</title>
    <link rel="alternate" type="text/html" href="http://www.sobriquetmagazine.com/sobriquet/2012/03/sobriquet-813-playlist-for-the-cellar-32012.html" />
    <id>tag:www.sobriquetmagazine.com,2012:/sobriquet//15.275</id>

    <published>2012-03-20T23:13:50Z</published>
    <updated>2012-03-20T23:24:16Z</updated>

    <summary><![CDATA[Theme: New Jersey PunkThe Playlist: 1. Adrenalin OD, "Suburbia" (1:24). Let's Barbeque&nbsp;2. Blanks 77, "I Wanna Be a Punk" (2:43). Tanked and Pogoed&nbsp;3. Swingin' Neckbreakers, "Mighty Mack" (2:33). Shake Break!&nbsp;4. Heckle, "Joke's on Me" (1:51). The Complicated Futility of Ignorance&nbsp;5....]]></summary>
    <author>
        <name>Sobriquet Magazine</name>
        
    </author>
    
    <category term="radio" label="radio" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="thecellar" label="The Cellar" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-us" xml:base="http://www.sobriquetmagazine.com/sobriquet/">
        <![CDATA[<b>Theme</b>: New Jersey Punk<div><br /></div><div>The Playlist:</div><div><br /></div> 1. Adrenalin OD, "Suburbia" (1:24). <i>Let's Barbeque&nbsp;</i><div>2. Blanks 77, "I Wanna Be a Punk" (2:43). <i>Tanked and Pogoed</i>&nbsp;</div><div>3. <a href="http://www.sobriquetmagazine.com/cgi_bin/mt/mt-search.cgi?blog_id=9&amp;tag=Swingin%27%20Neckbreakers&amp;limit=20">Swingin' Neckbreakers</a>, "Mighty Mack" (2:33). <i><a href="http://www.sobriquetmagazine.com/music/2008/11/swingin-neckbreakers-shake-break.html">Shake Break!&nbsp;</a></i></div><div>4. Heckle, "Joke's on Me" (1:51). <i>The Complicated Futility of Ignorance</i>&nbsp;</div><div>5. U.S. Chaos, "Stormtrooper," (1:56). <i>Stopping Evolution Dead In Its Tracks</i></div><div>6. U.S. Chaos, "Panties" (2:46). <i>Stopping Evolution Dead In Its Tracks&nbsp;</i></div><div>7. Bigwig, "A War Inside" (2:11). <i>Reclamation</i>&nbsp;</div><div>8. Dramarama, "Anything, Anything (I'll Give You)" (3:26). <i>Cinéma Vérité</i>&nbsp;</div><div>9. The Cryptkeeper Five, "Little Girl" (2:00). <i>Trenton Makes The Cryptkeeper Five&nbsp;</i></div><div>10. Rosemary's Babies, "Blood Lust" (0:43). <i>Talking to the Dead</i>&nbsp;</div><div>11. The Bouncing Souls, "The Gold Song" (3:17). <i>The Gold Record&nbsp;</i></div><div>12. For Science, "Leeloo" (1:15). <i>Revenge For Hire&nbsp;</i></div><div>13. Electric Frankenstein, "Demolition Joyride" (2:51).<i>The Time Is Now</i>&nbsp;</div><div>14. Mourning Noise, "Foolish Grief" (3:43). <i>Death Trip Delivery: 1981-1985</i>&nbsp;</div><div>15. The Misfits, "Hatebreeders" (3:07). <i>Walk Among Us</i>&nbsp;</div><div>16. Lost in Society, "Sweat" (3:09). <i>Eastern Empire</i>&nbsp;</div><div>17. Stetz, "Kids' Habits" (1:51). <i>New Jersey's Got It?&nbsp;</i></div><div>18. Partners in Crime, "I Hate Your Guts" (1:51). <i>No Big Deal</i>&nbsp;</div><div>19. Chronic Sick, "There Goes the Neighborhood" (2:37). <i>Cutest Band in Hardcore</i>&nbsp;</div><div>20. The Accelerators, "Public Enemy No. 1" (1:23). <i>The Accelerators</i> 7"&nbsp;</div><div>21. <a href="http://www.sobriquetmagazine.com/cgi_bin/mt/mt-search.cgi?blog_id=9&amp;tag=Gaslight%20Anthem&amp;limit=20">The Gaslight Anthem</a>, "The '59 Sound" (3:13). <i><a href="http://www.sobriquetmagazine.com/music/2008/10/gaslight-anthem-59-sound.html">The '59 Sound&nbsp;</a></i></div><div>22. TMA, "What's For Dinner?" (1:22). <i>What's For Dinner?&nbsp;</i></div><div>23. Violators, "NY Ripper" (1:57). <i>Violators</i> 7"&nbsp;</div><div>24. The Ergs!, "Pray For Rain" (2:10). <i>Dork Rock Cork Rod</i></div>]]>
        
    </content>
</entry>

<entry>
    <title>Sobriquet 81.2: Playlist for &quot;The Cellar,&quot; 3/13/12 - Sobriquet Magazine</title>
    <link rel="alternate" type="text/html" href="http://www.sobriquetmagazine.com/sobriquet/2012/03/sobriquet-812-playlist-for-the-cellar-31312.html" />
    <id>tag:www.sobriquetmagazine.com,2012:/sobriquet//15.274</id>

    <published>2012-03-20T22:55:19Z</published>
    <updated>2012-03-20T23:11:37Z</updated>

    <summary>Theme: A Punk Rock St. Patrick&apos;s DayThe Playlist:1. Dropkick Murphys, &quot;(F)lannigan&apos;s Ball&quot; (3:39). The Meanest of Times2. Flogging Molly, &quot;Drunken Lullabies&quot; (3:51). Drunken Lullabies3. The Pogues, &quot;If I Should Fall From Grace With God&quot; (2:21). If I Should Fall From...</summary>
    <author>
        <name>Sobriquet Magazine</name>
        
    </author>
    
    <category term="radio" label="radio" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="thecellar" label="The Cellar" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-us" xml:base="http://www.sobriquetmagazine.com/sobriquet/">
        <![CDATA[<b>Theme</b>: A Punk Rock St. Patrick's Day<div><br /></div><div>The Playlist:</div><div><br /></div><div>1. Dropkick Murphys, "(F)lannigan's Ball" (3:39). <i>The Meanest of Times</i></div><div>2. Flogging Molly, "Drunken Lullabies" (3:51).<i> Drunken Lullabies</i></div><div>3. The Pogues, "If I Should Fall From Grace With God" (2:21). <i>If I Should Fall From Grace With God</i></div><div>4. The Pubcrawlers, "I'll Tell Me Ma" (3:07). <i>One Too Many Again</i></div><div>5. Charm City Saints, "Night Paddy Murphy Died" (2:48). <i>Hooligans and Saints</i></div><div>6. Neck, "Every Day's St. Patrick's Day" (3:18). <i>Sod 'Em &amp; Begorrah</i></div><div>7. The Skels, "Have a Drink, Ya' Bastards" (2:54). <i>Any Port in a Storm</i></div><div>8. Blood or Whiskey, "Breaking Through" (1:48). <i>No Time to Explain</i></div><div>9. The Tossers, "Buckets of Beer" (2:18). <i>Communication and Conviction</i></div><div>10. The Mahones, "Drunken Lazy Bastard" (3:27). <i>Irish Punk Collection</i></div><div>11. The Mighty Regis, "Celtic Storm" (3:18). <i>Another Nickel for the Pope</i></div><div>12. Lexington Field, "Drunken Sailor" (1:58). <i>The Streets of Dover</i></div><div>13. Sir Reg, "Bolloxology" (2:35). <i>A Sign of the Times</i></div><div>14. Flatfoot 56, "Smoke Blower" (2:18). <i>Black Thorn</i></div><div>15. The Rumjacks, "An Irish Pub Song" (3:22). <i>Gangs of New Holland</i></div><div>16. The Gobshytes, "Bloodshot" (2:38). <i>Bloodshot</i></div><div>17. CIrcle J, "See You All in Hell" (2:58). <i>Fat Man's Chest</i></div><div>18. Auld Corn Brigade, "Sean South from Garryowen" (3:55). <i>A Fighter's Lullabies</i></div><div>19. The Porters, "Too Many Pints of Guinness" (2:30). <i>Anywhere But Home</i></div>]]>
        
    </content>
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<entry>
    <title>Sobriquet 81.1: Playlist for &quot;The Cellar,&quot; 3/6/12 - Sobriquet Magazine</title>
    <link rel="alternate" type="text/html" href="http://www.sobriquetmagazine.com/sobriquet/2012/03/sobriquet-811-playlist-for-the-cellar-3612.html" />
    <id>tag:www.sobriquetmagazine.com,2012:/sobriquet//15.273</id>

    <published>2012-03-20T22:48:56Z</published>
    <updated>2012-03-20T22:54:37Z</updated>

    <summary><![CDATA[Theme: "Your Pretty Face is Going to Hell": Punks Pay Tribute to the StoogesThe Playlist:1. Sex Pistols, "No Fun" (4:38). Anarchy in the UK&nbsp;2. The Teen Idles, "No Fun" (2:33). Flex Your Head&nbsp;3. Joey Ramone, "1969" (3:38). Don't Worry About...]]></summary>
    <author>
        <name>Sobriquet Magazine</name>
        
    </author>
    
    <category term="radio" label="radio" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="thecellar" label="The Cellar" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-us" xml:base="http://www.sobriquetmagazine.com/sobriquet/">
        <![CDATA[<b>Theme: </b>"Your Pretty Face is Going to Hell": Punks Pay Tribute to the Stooges<div><br /></div><div>The Playlist:</div><div><br /></div><div>1. Sex Pistols, "No Fun" (4:38). <i>Anarchy in the UK&nbsp;</i></div><div>2. The Teen Idles, "No Fun" (2:33). <i>Flex Your Head</i>&nbsp;</div><div>3. Joey Ramone, "1969" (3:38). <i>Don't Worry About Me</i>&nbsp;</div><div>4. The Damned, "I Feel Alright" (4:27). <i>Damned Damned Damned&nbsp;</i></div><div>5. G.B.H., "I Feel Alright" (3:41). <i>Race Against Time - The Complete Clay Recordings&nbsp;</i></div><div>6. Samiam, "Search and Destroy" (3:09). <i>Orphan Works&nbsp;</i></div><div>7. Turbonegro, "Search and Destroy" (4:12). <i>Small Feces&nbsp;</i></div><div>8. Anti-Pasti, "I Wanna Be Your Dog" (2:34). <i>The Last Call</i>&nbsp;</div><div>9. The Jabbers, "I Wanna Be Your Dog" (3:43). <i>American Standard</i>&nbsp;</div><div>10. The Destructors, "TV Eye" (2:50). <i>Dead Beat to White Heat</i>&nbsp;</div><div>11. The Nomads, "Real Cool Time" (5:08). <i>Showdown! (1981-1993)&nbsp;</i></div><div>12. Pansy Division, "Loose" (3:34). <i>The Iggy Pop Tribute: We Will Fall&nbsp;</i></div><div>13. 7 Year Bitch (3:16). <i>The Iggy Pop Tribute: We Will Fall</i>&nbsp;</div><div>14. <a href="http://www.sobriquetmagazine.com/music/2008/06/screeching-weasel-formula-27-ep.html">Screeching Weasel</a>, "Dirt" (4:46). <i>Thank You Very Little</i>&nbsp;</div><div>15. Thrust, "Your Pretty Face is Going to Hell" (3:08). <i>Hard to Beat</i></div>]]>
        
    </content>
</entry>

<entry>
    <title>Sobriquet 80.5: Playlist for &quot;The Cellar,&quot; 2/28/12 - Sobriquet Magazine</title>
    <link rel="alternate" type="text/html" href="http://www.sobriquetmagazine.com/sobriquet/2012/02/sobriquet-805-playlist-for-the-cellar-22812.html" />
    <id>tag:www.sobriquetmagazine.com,2012:/sobriquet//15.268</id>

    <published>2012-02-28T16:10:11Z</published>
    <updated>2012-02-28T16:14:24Z</updated>

    <summary><![CDATA[Theme: The Early Years of Belgian Punk, 1977-1981&nbsp;The Playlist:1. Chainsaw, "Z'heros Guts" (1:41). See Saw EP (1977)&nbsp;2. Plastic Bertrand "Ça Plane Pour Moi" (3:00). Ça Plane Pour Moi (1977)&nbsp;3. Raxola, "84's Man" (3:00). Raxola (1978)&nbsp;4. Stagebeast, "Working Man" (3:05). Belgium/Working...]]></summary>
    <author>
        <name>Sobriquet Magazine</name>
        
    </author>
    
    <category term="radio" label="radio" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="thecellar" label="The Cellar" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-us" xml:base="http://www.sobriquetmagazine.com/sobriquet/">
        <![CDATA[<b>Theme</b>: The Early Years of Belgian Punk, 1977-1981&nbsp;<div><br /></div><div>The Playlist:</div><div><br /></div><div>1. Chainsaw, "Z'heros Guts" (1:41). <i>See Saw</i> EP (1977)&nbsp;</div><div>2. Plastic Bertrand "Ça Plane Pour Moi" (3:00). <i>Ça Plane Pour Moi</i> (1977)&nbsp;</div><div>3. Raxola, "84's Man" (3:00). <i>Raxola</i> (1978)&nbsp;</div><div>4. Stagebeast, "Working Man" (3:05). <i>Belgium/Working Man</i> 7" (1977)&nbsp;</div><div>5. Pinchers, "Rape Her" (2:02). <i>Tonight/Rape Her</i> 7" (1981)&nbsp;</div><div>6. Wolfgang, "Nee Nee Nee Nee" (2:27). <i>Nee Nee Nee Nee/Jeugd</i> 7" (1978)&nbsp;</div><div>7. Revenge 88, "Neon Light" (2:21). <i>Alone/Neon Light</i> 7" (1981)&nbsp;</div><div>8. Hubble Bubble, "New Promotion" (2:15). <i>New Promotion/You'll Be The One</i> 7" (1978)&nbsp;</div><div>9. The Kids, "I Wanna Get a Job in the City" (2:54). <i>The Kids</i> (1978)&nbsp;</div><div>10. Definitivos, "Modern Dance" (1:58). <i>Modern Dance</i> EP (1980)&nbsp;</div><div>11. Cell 609, "Factories" (2:51). <i>Factories/Re-pulsion</i> 7" (1978)&nbsp;</div><div>12. Scabs, "So Called Friends" (4:38). <i>So Called Friends/Frozen Faces</i> 7" (1981)&nbsp;</div><div>13. Spermicide, "Je Vous Hais" (2:11) <i>Bloodstains Across Belgium #3</i> (c. 1979)&nbsp;</div><div>14. Struggler, "Don't Care" (2:40). <i>Wanted/Don't Care</i> 7" (c. 1979)&nbsp;</div><div>15. Contigent, "Nuit Blanche" (2:09). <i>Police Control</i> EP (1979)&nbsp;</div><div>16. Mad Virgins, "I am a Computer" (2:18). <i>I Am A Computer/Fuck &amp; Suck</i> 7" (1978)&nbsp;</div><div>17. Les Tueurs De La Lune De Miel, "No Issue" (2:26). <i>First Belgian Punk Contest</i> LP (1978)&nbsp;</div><div>18. Jet Staxx, "I'm Gonna Be the Best Guy" (3:02). <i>I'm Gonna Be the Best Guy/You'll Get the Chop</i> 7" (1978)&nbsp;</div><div>19. Marie Marie, "Do You Brush Your Teeth?" (2:30). <i>Do You Brush Your Teeth?</i> 7" (1980)&nbsp;</div><div>20. Underdogs, "Third World Image" (2:46). <i>No Big Business</i> (1980)&nbsp;</div><div>21. P.I.G.Z., "Shall I" (1:39). <i>Bloody Belgium</i> (1978)&nbsp;</div><div>22. X-Pulsion, "Heaven Only Knows" (1:39). <i>Split EP with Streets</i> (1978)</div>]]>
        
    </content>
</entry>

<entry>
    <title>Sobriquet 80.4: In the News - Sobriquet Magazine</title>
    <link rel="alternate" type="text/html" href="http://www.sobriquetmagazine.com/sobriquet/2012/02/sobriquet-804-in-the-news.html" />
    <id>tag:www.sobriquetmagazine.com,2012:/sobriquet//15.267</id>

    <published>2012-02-28T16:07:02Z</published>
    <updated>2012-02-28T16:09:59Z</updated>

    <summary>There&apos;s a brief article about the Moby-Dick marathon I am organizing at Luther College in today&apos;s edition of The Decorah Public Opinion, which you can find online here, if you&apos;re interested. It&apos;s exciting and promises to be fun....</summary>
    <author>
        <name>Sobriquet Magazine</name>
        
    </author>
    
    <category term="inthenews" label="In the news" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="mobydick" label="Moby-Dick" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-us" xml:base="http://www.sobriquetmagazine.com/sobriquet/">
        <![CDATA[There's a brief article about the <i>Moby-Dick</i> marathon I am organizing at Luther College in today's edition of The Decorah Public Opinion, which you can find online <a href="http://decorahnewspapers.com/main.asp?SectionID=10&amp;SubSectionID=37&amp;ArticleID=27596&amp;TM=40134.64">here</a>, if you're interested. It's exciting and promises to be fun.]]>
        
    </content>
</entry>

<entry>
    <title>Sobriquet 80.3: Playlist for &quot;The Cellar,&quot; 2/21/12 - Sobriquet Magazine</title>
    <link rel="alternate" type="text/html" href="http://www.sobriquetmagazine.com/sobriquet/2012/02/sobriquet-803-playlist-for-the-cellar-22112.html" />
    <id>tag:www.sobriquetmagazine.com,2012:/sobriquet//15.266</id>

    <published>2012-02-21T23:30:26Z</published>
    <updated>2012-02-21T23:41:35Z</updated>

    <summary>Playlist Theme: &quot;1982: The Year in U.K. Punk&quot;Note: All of the songs on this playlist were released in 1982, though several of the source disks for the tracks were released after that.The Playlist:1. Exploited, &quot;Sid Vicious Was Innocent&quot; (3:02). Troops...</summary>
    <author>
        <name>Sobriquet Magazine</name>
        
    </author>
    
    <category term="radio" label="radio" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="thecellar" label="The Cellar" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-us" xml:base="http://www.sobriquetmagazine.com/sobriquet/">
        <![CDATA[<b>Playlist Theme</b>: "1982: The Year in U.K. Punk"<div><i>Note: All of the songs on this playlist were released in 1982, though several of the source disks for the tracks were released after that.</i></div><div><i><br /></i><div><b>The Playlist</b>:</div><div><br /></div><div>1. Exploited, "Sid Vicious Was Innocent" (3:02). <i>Troops of Tomorrow&nbsp;</i></div><div>2. <a href="http://www.sobriquetmagazine.com/cgi_bin/mt/mt-search.cgi?blog_id=9&amp;tag=the%20Adicts&amp;limit=20">The Adicts</a>, "Joker in the Pack" (2:50). <i><a href="http://www.sobriquetmagazine.com/music/2008/12/adicts-sound-of-music.html">Sound of Music</a></i>&nbsp;</div><div>3. U.K. Subs, "Endangered Species" (3:27). <i>Endangered Species</i>&nbsp;</div><div>4. Discharge, "Free Speech for the Dumb" (2:15). <i>Hear Nothing See Nothing Say Nothing</i>&nbsp;</div><div>5. Anti-Pasti, "Last Train to Nowhere" (2:58). <i>Caution in the Wind</i>&nbsp;</div><div>6. <a href="http://www.sobriquetmagazine.com/cgi_bin/mt/mt-search.cgi?blog_id=9&amp;tag=Angelic%20Upstarts&amp;limit=20">Angelic Upstarts</a>, "Woman in Disguise" (3:10). <i>Reason Why?&nbsp;</i></div><div>7. Anti-Nowhere League, "Animal" (2:43). <i>We Are the League&nbsp;</i></div><div>8. The Damned, "Ignite" (4:52). <i>The Light at the End of the Tunnel&nbsp;</i></div><div>9. <a href="http://www.sobriquetmagazine.com/cgi_bin/mt/mt-search.cgi?blog_id=9&amp;tag=Chron%20Gen&amp;limit=20">Chron Gen</a>, "Jet Boy Jet Girl" (2:16). <i><a href="http://www.sobriquetmagazine.com/music/2008/12/chron-gen-chronic-generation.html">Chronic Generation</a>&nbsp;</i></div><div>10. Infa Riot, "Five Minute Fashion (3:21). <i>Still Out of Order</i>&nbsp;</div><div>11. <a href="http://www.sobriquetmagazine.com/cgi_bin/mt/mt-search.cgi?blog_id=9&amp;tag=Clash&amp;limit=20">The Clash</a>, "Should I Stay of Should I Go?" (3:08). <i>Combat Rock&nbsp;</i></div><div>12. One Way System, "Give Us a Future" (2:47). <i>The Best of One Way System</i>&nbsp;</div><div>13. <a href="http://www.sobriquetmagazine.com/cgi_bin/mt/mt-search.cgi?blog_id=9&amp;tag=Blitz&amp;limit=20">Blitz</a>, "Time Bomb" (2:00). <i>Voice of a Generation&nbsp;</i></div><div>14. Vice Squad, "Out of Reach" (1:55). <i>Stand Strong Stand Proud&nbsp;</i></div><div>15. <a href="http://www.sobriquetmagazine.com/cgi_bin/mt/mt-search.cgi?blog_id=9&amp;tag=Chelsea&amp;limit=20">Chelsea</a>, "Stand Out" (3:33). <i><a href="http://www.sobriquetmagazine.com/music/2009/07/chelsea-evacuate.html">Evacuate</a></i>&nbsp;</div><div>16. GBH, "No Survivors" (2:36). <i>City Baby Attacked By Rats</i>&nbsp;</div><div>17. The Partisans, "17 Years of Hell" (2:51). <i>17 Years of Hell</i>&nbsp;</div><div>18. Cock Sparrer, "England Belongs to Me" (3:04). <i>Shock Troops&nbsp;</i></div><div>19. Abrasive Wheels, "Burn Em Down" (2:40). <i>When the Punks Go Marching In</i>&nbsp;</div><div>20. Riot Squad, "We Are the Riot Squad" (1:30). <i>No Potential Threat</i></div></div>]]>
        
    </content>
</entry>

<entry>
    <title>Sobriquet 80.2: Playlist for &quot;The Cellar,&quot; 2/14/12 - Sobriquet Magazine</title>
    <link rel="alternate" type="text/html" href="http://www.sobriquetmagazine.com/sobriquet/2012/02/sobriquet-802-playlist-for-the-cellar-21412.html" />
    <id>tag:www.sobriquetmagazine.com,2012:/sobriquet//15.265</id>

    <published>2012-02-21T23:17:02Z</published>
    <updated>2012-02-21T23:29:45Z</updated>

    <summary><![CDATA[Theme: "A Punk Rock Valentine"&nbsp;The Playlist: 1. Dead Milkmen, "Punk Rock Girl" (2:39). Beezlebubba&nbsp;2. Descendents, "I'm the One" (2:15). Everything Sucks&nbsp;3. Husker Du, "Green Eyes" (3:02). Flip Your Wig&nbsp;4. Social Distortion, "Dear Lover" (4:43). White Light White Heat White Trash&nbsp;5....]]></summary>
    <author>
        <name>Sobriquet Magazine</name>
        
    </author>
    
    <category term="radio" label="radio" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="thecellar" label="The Cellar" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-us" xml:base="http://www.sobriquetmagazine.com/sobriquet/">
        <![CDATA[<strong>Theme</strong>: "A Punk Rock Valentine"&nbsp;<div><br /></div><div>The Playlist:

</div><div><br /></div><div>1. Dead Milkmen, "Punk Rock Girl" (2:39). <i>Beezlebubba</i>&nbsp;</div><div>2. Descendents, "I'm the One" (2:15). <i>Everything Sucks&nbsp;</i></div><div>3. <a href="http://www.sobriquetmagazine.com/cgi_bin/mt/mt-search.cgi?blog_id=9&amp;tag=Husker%20Du&amp;limit=20">Husker Du</a>, "Green Eyes" (3:02).<i> Flip Your Wig&nbsp;</i></div><div>4. <a href="http://www.sobriquetmagazine.com/cgi_bin/mt/mt-search.cgi?blog_id=9&amp;tag=Social%20Distortion&amp;limit=20">Social Distortion</a>, "Dear Lover" (4:43). <i>White Light White Heat White Trash&nbsp;</i></div><div>5. Groovie Ghoulies, "The Beast With Five Hands" (2:00). <i>Born in the Basement</i>&nbsp;</div><div>6. The Buzzcocks, "You Say You Don't Love Me" (2:54). <i>Operator's Manual</i>&nbsp;</div><div>7. Teen Idols, "When I Hear Your Name" (1:30). <i>Teen Idols</i>&nbsp;</div><div>8. Black Flag, "Bastard in Love" (3:20). <i>Loose Nut</i>&nbsp;</div><div>9. Tilt, "Confines of Love" (2:07). <i>'Til It Kills&nbsp;</i></div><div>10. The Vibrators, "Baby Baby" (3:28). <i>Baby Baby</i> 7"&nbsp;</div><div>11. The Damned, "Love Song" (2:22). <i>Machine Gun Etiquette&nbsp;</i></div><div>12. <a href="http://www.sobriquetmagazine.com/cgi_bin/mt/mt-search.cgi?blog_id=9&amp;tag=Queers&amp;limit=20">The Queers</a>, "Debra Jean" (3:36). <i><a href="http://www.sobriquetmagazine.com/music/2009/04/queers-love-songs-for-retarded-lookout.html">Love Songs for the Retarded</a>&nbsp;</i></div><div>13. The Donnas, "Hey, I'm Gonna Be Your Girl" (1:48). <i>The Donnas&nbsp;</i></div><div>14. The Ramones, "Oh, Oh, I Love Her So" (2:03). <i>Leave Home&nbsp;</i></div><div>15. <a href="http://www.sobriquetmagazine.com/cgi_bin/mt/mt-search.cgi?blog_id=9&amp;tag=Screeching%20Weasel&amp;limit=20">Screeching Weasel</a>, "(Nothing's Gonna) Turn Me Off (Of You)" (1:40). <i><a href="http://www.sobriquetmagazine.com/music/2008/06/screeching-weasel-formula-27-ep.html">Formula 27</a>&nbsp;</i></div><div>16. The Bollweevils, "7 1/2 Clicks" (2:27). <i>History of the Bollweevils, Vol. 2&nbsp;</i></div><div>17. The Eyeliners, "All I Wanted" (2:55). <i>No Apologies&nbsp;</i></div><div>18. <a href="http://www.sobriquetmagazine.com/cgi_bin/mt/mt-search.cgi?blog_id=9&amp;tag=Boris%20the%20Sprinkler&amp;limit=20">Boris the Sprinkler</a>, "I Wanna Get to Third Base With You" (2:35). <i>Saucer to Saturn&nbsp;</i></div><div>19. The Bouncing Souls, "I Think That the World" (3:03). <i>Ghosts on the Boardwalk</i>&nbsp;</div><div>20. <a href="http://www.sobriquetmagazine.com/cgi_bin/mt/mt-search.cgi?blog_id=9&amp;tag=Gaslight%20Anthem&amp;limit=20">The Gaslight Anthem</a>, "Casanova, Baby!" (3:10). <i><a href="http://www.sobriquetmagazine.com/music/2008/10/gaslight-anthem-59-sound.html">The '59 Sound</a>&nbsp;</i></div><div>21. The Jam, "Slow Down" (2:39).<i> In the City</i></div>]]>
        
    </content>
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