Sobriquet Home | Author Index | About Us | Book Reviews | Music Reviews | Email | Punk Encyclopedia | Punk Links | Writers

Sobriquet

Dissertation Blog Home
About the Blog
Email & Comment Policy
About the Zine
Record Reviews
mediaconsumption
D.O.T.S.T.
Sobriquet on Facebook
Sobriquet on MySpace
Sobriquet on Twitter
Sobriquet on Tumblr

Academia

PhinisheD
The Chronicle
The MLA

Sports

Cincinnati Bengals
New York Yankees
Cleveland Cavaliers
Montreal Canadiens
ESPN

News

Reuters
New York Times
Cleveland Plain Dealer
Newark Star-Ledger
Chicago Tribune
Minneapolis Star-Tribune
St. Paul Pioneer Press
Washington Post
Los Angeles Times
San Francisco Chronicle
Christian Science Monitor

Twitter

Twitter Updates

    follow me on Twitter

    Powered by Blogger

    eXTReMe Tracker

    RSS Feed Readers

    Sobriquet 45.17

    Saturday, August 23, 2008
    This post is a continuation of Sobriquet 45.16.

    The remainder of my reading consisted of relatively brief articles and reviews. In "J. M. Coetzee's Cultural Critique," Harald Leusmann provides a reading of the novel that would likely fit under the umbrage of what Marais terms an "orthodox response," viewing the novel as a reflection of "the collective mood of present-day South Africa's white population at the end of the dark twentieth century" (60). As is common with such readings, Leusmann regards Lurie's development over the course of the novel as a journey of self-discovery in which the protagonist eventually realizes that loving the other is more rewarding than the brand of self-love with which he begins the book. In Sarah Lyall's brief article on Coetzee's second Booker Prize, the critic briefly reviews the same ground as Leusmann. David Attwell, in his excellent review of Disgrace, the critic delivers what amounts to one of the most definitive readings of the novel, emphasizing many of the issues Leusmann and Lyall consider as well as highlighting (among other things) the linguistic, sexual, and historical ideas so many later critics have elaborated on. As is the case with much of Attwell's work, "Coetzee and Post-Apartheid South Africa" is required reading for any student of Coetzee. Sarah Ruden's brief review of Coetzee's novel, while short, draws attention to the spiritual aspect of the novel several later critics discuss at greater length when she notes that the "novel brings to mind the theology of kenosis, the self-emptying necessary for spiritual growth." In "After the Fall," Michael Gorra praises Coetzee for his brave willingness to depict "an almost unrelieved series of grim moments" and, presciently, implies that the novel will likely bring the author the Nobel he would eventually win in 2003.

    For tomorrow: Read another article.

    Works Cited

    Attwell, David. "Coetzee and Post-Apartheid South Africa." Rev. of Disgrace, by J. M. Coetzee. Journal of Southern African Studies 27.4 (2001): 865-867.

    Gorra, Michael. "After the Fall." Rev. of Disgrace, by J. M. Coetzee. New York Times 28 Nov. 1999: BR7+.

    Leusmann, Harald. "J. M. Coetzee's Cultural Critique." World Literature Today 78.3 (2004): 60-63.

    Lyall, Sarah. "J.M. Coetzee's Disgrace Wins Booker Prize." New York Times 26 Oct. 1999. Available online.

    Ruden, Sarah. Rev. of Disgrace, by J.M. Coetzee. Christian Century 16 Aug. 2000. Available online.

    Labels: , , , , , , , , , ,

    Permanent Link
    © Sobriquet Magazine

    Share: StumbleUpon Toolbar del.icio.us Add to Mixx! Digg!


    ____________________________________________
    Thursday, August 7, 2008
    Well, today sort of made up for yesterday. Whereas I spent the better part of Wednesday afternoon sleeping and the majority of the evening procrastinating, I finished my work relatively quickly today and, despite playing computer games for a few hours, I fit some exercise and housecleaning into my schedule, too.

    At any rate, I would like to discuss what I have been reading these past few days, if only briefly, so you'll have to forgive me for making such an abrupt transition . . .

    Of the four essays I read, David Attwell's "Race in Disgrace" and Michael Holland's "'Plink-Plunk': Unforgetting the Present in Coetzee's Disgrace" stand out as particularly strong readings of the novel. Attwell, as always, draws upon his enviable familiarity with Coetzee's writing to expose the rampant critical misinterpretations, misapprehensions, misrepresentations, and misunderstandings in much of the commentary inspired by Disgrace. Using the ANC's treatment of the novel in its submission to the Human Rights Commission as a starting point, Attwell identifies several instances where readers have deliberately racialized the text in order to serve their own political ends. Referring to the controversy over the novel's "socially mimetic function" as "an over-heated discussion about what is the least complex - and arguably least interesting - area of the novel's performance," Attwell addresses several of the more egregious "creative misreadings" of Disgrace before integrating the discussions arising from them into his extensive examination of the "ethical turn" David Lurie undergoes during the course of the novel (332, 333, 339).

    Michael Holland's essay, taken from the same issue of interventions in which Attwell's article appears, examines how Coetzee "relegate[s] the defunct language of western masculinity to the past" in order to posit a new means of communication fit for post-apartheid South African society (395). Reading David Lurie's position in the novel as one of deeply existential isolation, Holland discusses how the pull of Lurie's nostalgia for an unattainable, romanticized past intensifies the former professor's temporal displacement and contributes to his disgrace. It is through the comedically pathetic music of his diminished operetta, ultimately, that David Lurie discovers "the absolute priority of the raw material of language" and is able to bring the "reader of the novel in direct contact with the immediate present of material existence," bringing him or her to a purer, more visceral understanding of existence as well as the means of communicating and processing that experience (404). Obviously, there is much more to the article than what I have mentioned here, but the complexity and insight of Holland's reading really cannot be summarized without necessarily diminishing one of the strongest readings of Disgrace yet published. In other words, you should read it yourself.

    Despite the seemingly gratuitous exposition on the workings of literary criticism in a poststructural paradigm with which H. P. van Coller begins "A Contextual Interpretation of J.M. Coetzee's Novel Disgrace," the critic does make several important contributions to the body of Coetzee criticism. The most convincing section of the essay is van Coller's excellent discussion of Disgrace's relationship to the plaasroman, especially in regards to the transgenerational significance of the farm in the South African (especially Afrikaans) literary imagination. While the rest of the essay touches upon several interesting aspects of the novel, I find the section on the plaasroman to be on par with some of the best readings of Disgrace that I have come across and will, in all likelihood, draw upon van Coller's insights when writing the chapter on Disgrace.

    The fourth and final essay I read was Benaouda Lebdai's "Bodies and Voices in Coetzee's Disgrace and Bouraoui's Garcon Manque," which focuses primarily on Lucy Lurie's role in the novel. Viewing the female body as the field upon which historical anxieties are enacted, Lebdai presents one of the more comprehensive readings of Lucy's character and, in the end, paves the way for future examinations of corporeality in the novel.

    For tomorrow: More reading.

    Works Cited

    Attwell, David. "Race in Disgrace." interventions 4.3 (2002): 331-341.

    Holland, Michael. "'Plink-Plunk': Unforgetting the Present in Coetzee's Disgrace." interventions 4.3 (2002): 395-404.

    Lebdai, Benaouda. "Bodies and Voices in Coetzee's Disgrace and Bouraoui's Garcon Manque." Cross Cultures 94 (1999): 33-44.

    Van Coller, H.P. "A Contextual Interpretation of J.M. Coetzee's Novel Disgrace." A Universe of (Hi)stories: Essays on J. M. Coetzee. Ed. Liliana Sikerska. Frankfurt: Peter Lang, 2006. 15-37.

    Labels: , , , , , , , , ,

    Permanent Link
    © Sobriquet Magazine

    Share: StumbleUpon Toolbar del.icio.us Add to Mixx! Digg!


    ____________________________________________

    Literature

    William Gaddis
    The Modern Word
    Kurt Vonnegut
    Chuck Palahniuk
    Free Audiobooks

    Blogs

    Ben Weasel
    Ed Kemp
    The Irascible Professor
    Jeremy Hance
    Ielle Palmer
    MinxyLand
    Literary Chica
    Rex Parker
    Tiffany Roufs
    Pop Sensation
    Lime Plate

    Diversions

    South Park Studios
    Garfield Minus Garfield
    The Onion
    Urban Legends
    NNDB
    Daily Rotten
    Rotten Library
    Six Sentences
    Freerice.com
    Eric Mattina's Film Reviews

    Ideas

    Arts & Letters Daily
    Stirrings Still
    Logos

    Magazines

    The Atlantic
    CounterPunch
    Foreign Affairs
    Harper's
    National Geographic
    Skeptic

    Politics

    National Initiative
    Mike Gravel '08
    Ralph Nader '08

    Academic,  Learning & Educational Blogs - Blog Catalog Blog Directory

    Add to Technorati Favorites

    Add to Google

    Site Visits:
    This site was built by modifying a template designed by Maystar Designs. All text, unless otherwise noted, is copyright 2001-2009 by Sobriquet Magazine (ISSN 1930-1820). © 2009 Sobriquet Magazine. All rights reserved. Sobriquet Magazine and the Sobriquet Magazine logo are registered trademarks of Sobriquet Magazine.