Sobriquet Home | Author Index | About Us | Book Reviews | Music Reviews | Email | Punk Encyclopedia | Punk Links | Writers


Dissertation Blog Home
About the Blog
Email & Comment Policy
About the Zine
Record Reviews
Sobriquet on Facebook
Sobriquet on MySpace
Sobriquet on Twitter
Sobriquet on Tumblr


The Chronicle


Cincinnati Bengals
New York Yankees
Cleveland Cavaliers
Montreal Canadiens


New York Times
Cleveland Plain Dealer
Newark Star-Ledger
Chicago Tribune
Minneapolis Star-Tribune
St. Paul Pioneer Press
Washington Post
Los Angeles Times
San Francisco Chronicle
Christian Science Monitor


Twitter Updates

    follow me on Twitter

    Powered by Blogger

    eXTReMe Tracker

    RSS Feed Readers

    Sobriquet 56.10

    Sunday, July 12, 2009
    Having lost several hours of prime internet access to the vicissitudes of summertime electrical storms, I find myself writing tonight's entry quite a bit later than I would otherwise have done. I mean, I am routinely awake after two in the morning, but I am a bit sleepier than I would prefer to be when trying to write something of even marginal readability. Oh, well. At least I have the Descendents to keep me energized this evening...

    At any rate, I used my Saturday to read a bit more criticism on Elizabeth Costello. Well, actually, I thought I would be reading about Elizabeth Costello but the article I plucked from the stack -- Kate McInturff's "Rex Oedipus: The Ethics of Sympathy in Recent Work by J. M. Coetzee" -- ended up having more to do with Disgrace than Coetzee's subsequent novel. This, of course, is likely the result of the essay having been indexed by the MLA after I last scoured the database for Disgrace-centered criticism.

    So. Getting to the article: McInturff draws on Elizabeth Costello's oft-discussed fascination with the human capacity for a sympathetic imagination that dissolves the species barrier in an effort to establish the ways in which Coetzee explores intergender, interracial, and interspecies power dynamics. The theoretical framework with which McInturff shapes her discussion of Coetzee borrows heavily from previous research by Anne McClintock and Judith Butler and stages a well-reasoned critique of the patriarchal ideologies influencing post-Enlightenment familial structure and the socio-political analogues that have shaped so much of the troubled post-apartheid culture Coetzee examines in Disgrace. Extending Costello's desire to do away with the human/non-human binaries justifying the abusive treatment of those beings (both human and non-human) that people regard as somehow inferior to themselves to the exploitative racial and gender hierarchies at the heart of Coetzee's 1999 novel, McInturff adds a passionate voice to one of the more crucial veins of Coetzee criticism.

    For tomorrow: Read or write.

    Work Cited

    McInturff, Kate. "Rex Oedipus: The Ethics of Sympathy in Recent Work by J. M. Coetzee." Postcolonial Text 3.4 (2007).

    Labels: , , , , , ,

    Permanent Link
    © Sobriquet Magazine

    Share: StumbleUpon Toolbar Add to Mixx! Digg!



    William Gaddis
    The Modern Word
    Kurt Vonnegut
    Chuck Palahniuk
    Free Audiobooks


    Ben Weasel
    Ed Kemp
    The Irascible Professor
    Jeremy Hance
    Ielle Palmer
    Literary Chica
    Rex Parker
    Tiffany Roufs
    Pop Sensation
    Lime Plate


    South Park Studios
    Garfield Minus Garfield
    The Onion
    Urban Legends
    Daily Rotten
    Rotten Library
    Six Sentences
    Eric Mattina's Film Reviews


    Arts & Letters Daily
    Stirrings Still


    The Atlantic
    Foreign Affairs
    National Geographic


    National Initiative
    Mike Gravel '08
    Ralph Nader '08

    Academic,  Learning & Educational Blogs - Blog Catalog Blog Directory

    Add to Technorati Favorites

    Add to Google

    Site Visits:
    This site was built by modifying a template designed by Maystar Designs. All text, unless otherwise noted, is copyright 2001-2009 by Sobriquet Magazine (ISSN 1930-1820). © 2009 Sobriquet Magazine. All rights reserved. Sobriquet Magazine and the Sobriquet Magazine logo are registered trademarks of Sobriquet Magazine.