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    Sobriquet 54.6

    Wednesday, May 6, 2009
    Last night, in my effort to traverse a metaphoric glacier, I decided to get some reading done for the Elizabeth Costello chapter I hope to begin fairly soon. I am, of course, still writing the Disgrace chapter, too, but given a confluence of situations beyond my control, it may be a week or so before I can sit down and really write anything in earnest. At any rate, I read three reviews of Elizabeth Costello and one on the pre-Elizabeth Costello volume, The Lives of Animals:

    1. Of the four, Diana Nelson Jones's assessment of the novel is easily the most disparaging, regarding the book as a "highly dissatisfying work" with unknowable characters and an off-putting protagonist. Predictably, Jones does not seem especially fond of the format of the book, echoing the common refrain that the book is not a novel.

    2. Caroline Moore, too, wonders if Coetzee "has come to the end of writing fiction," though in a considerably less negative tone. Moore's review is concerned with the book's commentary on the relationship between art and artist, fiction and reality and suggests that Coetzee, in speaking through Costello, may actually be inviting people to speculate about his place in the creation of the book and the exchange of ideas rather than attempting to hide behind Costello.

    3. Contrary to the viewpoint espoused by readers such as Jones, Janet Maslin finds the "string of metaphysical pit stops" Coetzee has fashioned into a novel "improbably inviting at the simple narrative level."

    4. David Fraser, in his reading of The Lives of Animals, praises Coetzee for his unique contribution to the debates on animal ethics:
    Rather than raising new issues or proposing new solutions, he uses narrative, allusions, and conversation to capture the moral confusion that our use of animals creates. He helps us see this confusion not as an abstract debate, but as real people in conflict, with a host of differences in personality and worldview, making resolution (even dialogue) difficult and sometimes painful.
    Today, I read Louise Bethlehem's "Materiality and the Madness of Reading," a highly poststructural discussion of corporeality in Elizabeth Costello. Although her ostensible aim is to establish, in Derridean terms, how Coetzee's novel contains traces "of South African literary culture" despite being written by an Australian and set primarily away from Africa, Bethlehem's study spends far more time entering into the rarefied discourses of body, language, and representation. Those of a more theoretical bent will likely find this essay thought-provoking.

    For tomorrow: Read or plan.

    Works Cited

    Bethlehem, Louise. "Materiality and the Madness of Reading: J. M. Coetzee's Elizabeth Costello as Post-Apartheid Text." Journal of Literary Studies. 21.3-4 (2005): 235-54.

    Fraser, David. Rev. of The Lives of Animals, by J. M. Coetzee, et. al. The Quarterly Review of Biology 76.2 (2001): 215-216.

    Jones, Diana Nelson. Rev. of Elizabeth Costello, by J. M. Coetzee. Pittsburgh Post-Gazette 9 Nov. 2003. Available online.

    Maslin, Janet. "The Mockery Can Still Sting With a Target in the Mirror." Rev. of Elizabeth Costello, by J. M. Coetzee. The New York Times 21 Oct. 2003. Available online.

    Moore, Caroline. "Lessons Drawn From Fiction." Rev. of Elizabeth Costello, by J. M. Coetzee. 8 Sept. 2003. Available online.

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    ____________________________________________
    Friday, July 18, 2008
    Of the three essays I've read since I last discussed the critical writing on Disgrace, only one really stands out as what I would consider "required reading." I should emphasize that the other two essays, both taken from boundary2's "Symposium on Disgrace," are not poorly written; they're just not likely to figure into my own work and do not add much to my understanding of the novel.

    The first of the pair, Louise Bethlehem's "Pliant/Compliant; Grace/Disgrace; Pliant/Compliant," as one might infer from the title, devotes a fair amount of space to linguistic analysis while exploring the author's modes of representation. Hannan Hever's "Facing Disgrace: Coetzee and the Israeli Intellectual," the second boundary2 article I read (which was, coincidentally, translated by Bethlehem), uses Coetzee's depiction of the unanticipated cultural milieu of post-Apartheid South Africa to embark upon a discussion of the Israeli-Palestinian conflict, focusing specifically on the intellectual's role in the tumultuous region upon realizing that the "Messianic" solutions hitherto envisioned do not account for the fact that "the resolution, the 'end,' of the struggle is only a point along a continuously unfolding trajectory" (45).

    The essay I most enjoyed and which genuinely contributed a good deal to my own thinking about Coetzee's novel is Susan Smit-Marais and Marita Wenzel's excellent "Subverting the Pastoral: The Transcendence of Space and Place in J. M. Coetzee's Disgrace." Taking a cue from Rita Barnard, the authors convincingly show how Coetzee inverts the conventions of the South African plaasroman in Disgrace. With as thorough a reading as any student of Coetzee could hope for, Smit-Marais and Wenzel reveal Coetzee's intricate weaving of pastoral conventions into an extremely complex critique of colonialism and its long-reaching socio-political aftermath. While virtually every sentence of the essay rings true, I was most impressed with the authors' brief discussion of Coetzee's use of nature (traditionally a reflection of the white settler's psychological satisfaction, it usually emphasizes "pureness, growth and life") to foreground the exhausted, barren state of South African society after a "history of colonial exploitation and dispossession" (214). And this is only one of many extremely good discussions in thiss exceptional essay.

    For tomorrow: read an article or a bit more of Youth.

    Works Cited

    Bethlehem, Louise. "Pliant/Compliant; Grace/Disgrace; Pliant/Compliant." scrutiny2 7.1 (2002): 20-24.

    Haver, Hannan. "Facing Disgrace: Coetzee and the Israeli Intellectual." scrutiny2 7.1 (2002): 42-46.

    Smit-Marais, Susan and Marita Wenzel. "Subverting the Pastoral: The Transcendence of Space and Place in J.M. Coetzee's Disgrace." Beyond the Threshold: Explorations of Liminality in Literature. Eds. Hein Viljoen and Chris Van Der Merwe. New York: Peter Lang, 2007. 209-21.

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