Labels: Charlotte Higgins, Disgrace, Dissertation, Gail Caldwell, J.M. Coetzee, Katie Grant, Laurence Phelan, Michael Morris, Michael Upchurch, Stephen Williams, Stuart M Kurland, Trevor Royle
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Thursday, September 11, 2008
As I mentioned yesterday, I have been supplementing the the critical essays on Disgrace that I have been reading with some reviews of the novel and I would like to use tonight's entry to briefly mention a few of these pieces. One recurring point of interest among the critics I've read recently has been, perhaps not surprisingly, the ways in which Coetzee's novel reflects and comments upon "the unreconciled dilemmas of . . . his country's predicament" (Williams). Trevor Royale, for instance, maintains that Coetzee's "political metaphors are impossible to avoid" while Michael Upchurch praises Disgrace for "admirably [taking] on the malaise of post-Apartheid South Africa." Of particular interest to several critics, notably Gail Caldwell and Stuart M. Kurland, is David Lurie's increasingly obsolescent position in the country. For both Caldwell and Kurland, the protagonist's status as an academic is especially important in its foregrounding of the inability of Western European values to make sense of post-Apartheid South Africa. The fact that, "from the moment of his arrival" in the Eastern Cape, "Lurie's intellectual tools - his scholarly pursuits, his interminable irony - are worse than useless" (Caldwell 1), highlights "the deep, unresolved conflicts of race, sex, and class" in the author's homeland as well as the widening gap between David's generation and that of his daughter (Kurland). Thus, for Michael Morris, David Lurie embodies the older generation's "responses to the dispassionate, unforgiving tide of history" in a nation where "all codes of behavior for people, black and white, have become perverted and twisted" (Grant). In the end, Coetzee's novel is a "towering" (Higgins) testament to the need for human perseverance even if, as Laurence Phelan suggests, it amounts to "a defeated acceptance of the new world order."For tomorrow: Read another essay. Works Cited Caldwell, Gail. Rev. of Disgrace, by J. M. Coetzee. The Boston Globe. 14 Nov. 1999: P1+. Grant, Katie. "A Very Foreign Country." Rev. of Disgrace, by J . M. Coetzee. The Spectator 10 July 1999. Higgins, Charlotte. "Booker's Best Six." Mail and Guardian 23 May 2008. Kurland, Stuart M. Rev. of Ravelstein, by Saul Bellow, Disgrace, by J. M. Coetzee, and The Human Stain, by Philip Roth. Academe. July/August 2001. Morris, Michael. "Coetzee on Shortlist for Booker Prize." Cape Argus 23 Sept. 1999. Phelan, Laurence. "More Sinned Against Than Sinning." Rev. of Disgrace, by J. M. Coetzee. The Independent 23 April 2000. Royle, Trevor. "Braving Cape Fear." Rev. of Disgrace, by J. M. Coetzee. The Sunday Herald 18 July 1999. Upchurch, Michael. "Deserving Acclaim: Our Critic Closes The Book on '99 With His Top Ten Picks." The Seattle Times. 26 Dec. 1999. Williams, Stephen. Rev. of Discharge (sic), by J. M. Coetzee. African Business Nov. 1999. Labels: Charlotte Higgins, Disgrace, Dissertation, Gail Caldwell, J.M. Coetzee, Katie Grant, Laurence Phelan, Michael Morris, Michael Upchurch, Stephen Williams, Stuart M Kurland, Trevor Royle © Sobriquet Magazine Share:
Tuesday, July 29, 2008
All right. It's been nearly a fortnight since I have had the time to sit down and write about my dissertation. Between long hours spent behind the wheel, time devoted to my family and friends, excessive humidity, hard (non-academic) work, and an unfortunate lack of internet access, I have barely had the opportunity to read, let alone post any blog entries about that reading. Still, I did manage to read Youth as well as several (admittedly brief) critical essays on Coetzee. Of the five critical readings, two were book reviews. The first, Michael Upchurch's "Facing 'Disgrace,'" is a solid, if run-of-the mill, reading of Coetzee's novel. Despite finding fault with Coetzee's depiction of females and the novel's often oblique literary allusions, Upchurch ultimately praises Coetzee for his ability to weave a multi-layered narrative out of deceptively "spare...arid" prose ("Facing"). The second review, Susan Ram's excellent "A Comprehension of Life" is one of the most thorough and insightful reviews I have come across, touching on both the novel's more commonly discussed themes as well as several of the book's less obvious concerns. I also read Derek Attridge's introduction to Coetzee's Inner Workings. Despite reading the essay with the cynicism of someone struggling to muster the energy to keep reading the seemingly endless pile of literary criticism sitting atop his desk, Attridge's argument for the value of reading a single critic's essays makes an awful lot of sense to me. I mean, if we regard the literary critic as a thinker first and foremost, it stands to reason that a comprehensive reading of his or her criticism will often yield a worldview as complex and unified as that of a philosopher. I also read two journal articles, which I will try to discuss tomorrow. Now, though, I think it's time for bed. For tomorrow: Read another essay, read some of Coetzee's criticism, or work on my bibliography. Works Cited Attridge, Derek. "Introduction." Inner Workings. By J. M. Coetzee. New York: Penguin, 2007. ix-xiv. Ram, Susan. "A Comprehension of Life." Frontline. 16.25 (1999). Available online. Upchurch, Michael. "Facing 'Disgrace' -- J . M. Coetzee Creates a Flawed, Intriguing Character in Post-Apartheid South Africa." Seattle Times 7 Nov. 1999. Available online. Labels: Derek Attridge, Disgrace, Dissertation, Frontline, Inner Workings, J.M. Coetzee, Michael Upchurch, Seattle Times, Susan Ram, Youth © Sobriquet Magazine Share:
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