People tend to compare Adhesive to Bad Religion, and for good reason. Indeed, the band's first full-length album, 1996's Sideburner, features the sort of vocal harmonization (the Swedish quartet's oohs and aahs bear more than a passing resemblance to the sound Greg Graffin and Brett Gurewitz tend to work into their songwriting) and the polished melodic instrumentation one generally associates with Bad Religion. Furthermore, despite writing in a foreign tongue, Adhesive's richly allusive, metaphor-laden lyrics do not shy away from the use of sophisticated vocabulary to convey their meaning.
That said, Adhesive's sound on Sideburner is relatively one-dimensional, though the dimension is, admittedly, a highly-listenable one.
Track 4. "On a Pedestal." Quite possibly the best song on Sideburner, "On a Pedestal" is Adhesive's parable of Faustian ambition (complete with a suitably Mephistophelean shopkeeper) set to catchy melodic hardcore.
Track 5. "Scottie." Despite the song's overt reference to Trekkie culture, "Scottie" has nothing to do with kitschy American sci-fi. Rather, the song waxes metaphysical, expressing the pain of the speaker's solipsistic existence and questioning whether or not the palpable loneliness he (or she) experiences in "a domestic jail" is, in fact, a ubiquitous emotion spanning all humanity.
Track 7. "Scent of Life." While not wholly original, "Scent of Life" is a hook-heavy statement of an individual's existential self-actualization.
Sobriquet Grade: 85 (B).